BRUSSELS IS UNDER CONSTRUCTION

Hello, I must say first that don't really have the need right now to present sth or to be more precise this is what i found out I need to present right now as as an exercise or invitation to introduce you and to think together about my research and the questions I've been through this months, this is not a performance but i tried to organise it in the space as an attempt of what I'm interested to work here in the stage. Ive been thinking about how to use this space, this frame, I left the idea of presenting sth closed and I decided to spread out the process of my research, to put all the materials that I'm busy with in the table, so i advice you, its gonna be messy  and complex but i invite you to follow me in sharing this process I have gone through these months in my research. You can decide where to place yourselves in the space, I invite you to follow me if you want.

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I started with the relations between body and architecture, between stage and urbanism.  I had a first question HOW CAN WE EMBODY CARTOGRAPHIES? And I was doing some practices that I called choreocartographies. So with this idea i started searching a place to work with, a place, or a site that I'm affected by, and the site that I found, that kept my attention was Port Ninove, because I was passing by everyday I was affected by the fact that it was under construction, that was my main interest in working there, as I was in that period, under construction. I felt in love with the site, not knowing why exactly. It was dirty, useless, bothering, It was an ambiguous site, a site where all the rules that regulates the urban space were broken. So I wanted to spend time there to see how that was working. So the first thing related to my research that I found there was the border.

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This presentation is part of the research

THE CONSTRUCTION OF PERFORMATIVE SPACE

developed within the framework of a.pass.

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